I developed the following scripts over a two year period for the project Kingdom with Phillip Adams BalletLab. The texts are collected and manipulated from Luke George, Matthew Day, Phillip Adams, Rennie McDougall, Marcel Proust, Charles Henri-Ford, Parker Tyler, Judith Halberstam, Plato and Qwerty keyboard.

 

 

 

 

 

 

paper and here I am again I wish and yeah tall mouth badly spelt I can feel Matthew sat and bog boned messy collapsing and New York

nightmare if makes this tone mesmerise I can note disassociate the time it's taking for my snowy peace and quietudinals for

fun his torso and heaving heaving where I am am I or something blue like ink in between the cocks is

breathing grotesqueries and delicious ends ends thank you let's play I eat what is

given no thanks for holding me pleasure mine yours about the thing we did planning it nonsense pen penny yem and as was loud with hesitation the other two meant

thisness Chloe Chello bankable take it to the fullnessness um ochre jibberish please ignore this or don't ask again it hurts everyone is here

watching and as was achingly so one line into several circles it stopped or halted I can't

see Please this exclamation yell it here freeze and Mr. Freeze come back don't meander this possible on and

on I am sick I fall into a slot a foot a passageway together help the situation be angrier please scream and violent colours

subside I am in a pose strike picked red here filling word TAKE TAKE CAPITOLS Boldness. Follow. Time. Predict. Table. when we work time work on the

clock here freeze again repeating a loop-de-loop ride riding timing clock tock poo oh whatever challenge this bitch lumdumdi like a

song I am elsewhere Elsa Chelsea strange convictions I'm convicted almost there but there's a yoga updown

somersault low and behold all my s bim in your arse clincher boy bite down on it soft cock and snag hard for it's only a matter of time before you branded spencer with that ten

incher seriously why all the fighting we've only got Chinese checkers like small Asian balls to wax lyrical in salty plumes of a throat begger parcial stud lower of a mouth if you ever want to call it that did I just see what I thought I

saw finally a chance to make good in the midst of a high power meeting with yours truly David CopperCunt cheers is all I say strawberry it's a peach of a chrime out there so don't settle in hasn't of or drop on tiny test of you Thumbelina twizzler what's this you're not going outside without your scarred Spencer

 

 

 

Aaaaaa  Nnnnnnn   D   Ahhhhh  Eeeeeee   St   Ohhhhhh   P D   Iiiiiii  Nnnnnnn   T   Ehhhhhhh Nnnnnnn   T   Ahhhhhhh   P   Ohhhhhh  Nnnnnn   TH   Eeeeee  Ehhhhhh   X T*   Rrrr Ahhhhh Orrrrrrrr   D   Iiiiiii  Nnnnnnn  Ehhhhhhh  Rrrrr Eeeeeee   TH   Iiiiii  Nnnnnnn   G TH Aaaaaaaa T W   Ohhhhhhh   S H   Aaaaaa   P   Ehhhh  Nnnnn  Iiiii  Nnnnnn   G T   Ooooooooo Mmmmmm  Eeeeeeeee.

 

 

*iue iuei iiiiiii i i iue oaooooao

aueuuueuueuu eueuuee iiiia

 

 

 

iue iuei iiiiiii i i iue oaooooao

aueuuueuueuu eueuuee iiiia iaaaaaaaa aa  

ueiu oaiu e uia ue a oi ei u e o u ae o ua oei eiao  a ei e a uoa e a eo iaeiu oiea

ueiu oaiu e uia ue a oi ei u e o u ae o ua oei eiao  a ei e a uoa e a eo iaeiu oiea

 

 

 

Renewing situation, I am repeating myself. I hold onto words. I am naming pop stars. Females only (accent on the up at the end). I am gay barring. I am flirting in a bad way. I am being convincingly cool, super cool I laugh in their faces yeah I love it. I am watching them I almost forgot they’re here. I chose pink because it’s OBVIOUS (in gay voice when reading) – I saw a book. I get mad for no reason. I hide behind and have a costume now.

 

 

 

You can also distinguish, within the general class of those attracted to These are attracted to boys only when they start to have developed beard. On the other hand, when boys attract lovers, their fathers put have conversations with their lovers. The position, I think, is this. The neither right nor wrong but right when it is conducted rightly and wrong way, and right to gratify a good man in the right way. A bad man in this than the mind. He is not constant, because her loves something that is not him, “he flies away and is gone.”

 

 

 

And    things   ag   ree   d   in   n   eed    hap   py   posse   s   desir    of    good.

 

 

 

 

Khwet jjdjn I fkewl kan kq qlqnqd f c I  eeu i1iou  ouy o

t t yhjt   ty   t d

 j    ldrjdryj

hd

g d   h   dht

e e   ghrtt    e 

ejbrbykyu

erg; t  hhk  rthllote  ot ;  oo;

 

 

 

*Aaaaaaa  Nnnnnnn  Ehhhhh   X QU   Iiiiiiiii   S   Iiiiiiii   T PL

 

 

 

*Thick, like hit it hit it hard one more time

Like a best seller being read for the first time

For forbearers believe me I am going to fuck.

Die in grace and black is into being interviewed on coke on time you pushed me into it where do I start where do I…. start.

Where do you begin again begin again begin maKING this fucKING piece again with a new brain a new sex and win an award. And tour the fuKING continent.

Until I have a bursary to offer potential scum bags to waste their load and their dreams on me (all over my face). Is it is it kiss it lick it. Feel the reading this red bullshit to you again.

I am not a cathartic sapositorium.

Waiting for you to finish listen to my belly when I claw your dignity off. And wipe my dolly on time. Outside of regular working hours.

We lost the a long time ago. No regrets but a stockpile of things I should have said should a done should have a gun next time I enter Vulcan territory.

Fly up and describe the experience. I should have no you’d have to show something or show that we’re on track on something.

Go tiny.

I pose like a Hollywood actress in a movie. I practice this. This room is GAY GAY YAY!

I am in the corner hiding my mouth. I am a rockstar. I am having it with his beard. Sweaty. This is real.

Without penetration I am flouncing around flouncy flouncy I’m a dancer I hope and scooby-doo.

I am pissy, shitty, all the excrement.

I AM IT.

 

 

 

 

Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra Rra

 

 

 

 

 

ert rge

ergl kknerge

w

rtlijee

wtjtklr

gmhg

w t’peo ge

y

 ey y ulju

 yh

rtt

g   tt   t

W FREG

G  W   SEG    Erg eagre    Arg    Ga

 

 

 

S   Uhhhhh  Mmmmm   TH   Iiiiiii  Nnnnnn   G D   Eeeeeeee   T   Aaaaaa   CH D W   Iiiiiiii  TH Nnnnnn  Owwwww   S Ehhhhh  Nnnnn   S   Ohhhhh   F   Iiiiiii   T S   Ohhhhhhh  Rrrrrr Iiiiiii   J Ehhhhhhhh  Nnnnnnn

Kingdom - Scripts

05/03/15 Phillip Adams BalletLab - Dance Massive 2015

Kingdom

Dance Massive 2015

18 - 22 March

Artshouse Meat Market

North Melbourne

 

Copyright Rennie McDougall 2015